立ち位置と観点 / Position and viewpoint

¥63,000

Artist:田中良太 / Ryota Tanaka
Title:Position and viewpoint ( Purple warehouse) / 立ち位置と観点(紫色の倉庫)
Year:2019年
Material:キャンバスにアクリル絵具 / Acrylic on canvas
Size:31.8 × 41.0 cm
Story:量子論における自然観では、見る側=観測者の存在が観測対象の状態を決める。
立ち位置と観点は、対象の何も決定されていない状態を描き留めるきっかけ。固定的な役割とは異なった図像の在り方を提示するきっかけでもある。モチーフは東京の郊外(多摩地域)にある倉庫。観測の時間帯を曖昧にする意図を持って色数は減らしている。無彩色の黒で描写された影のベッタリした印象が「立ち位置」や「観点」からの光源を明らかなものとする。

From a quantum mechanical viewpoint, observer = viewer decides the state of the object to be observed. Position and viewpoint are a trigger to paint the state of the object in a flux. They are a trigger to present the images out of the fixed entity. The motif is a warehouse found in a suburb of Tokyo (Tama region). I reduced the colors to apply so as to make an ambiguous state. The flat impression given by black shadow clarifies a light source from Position or Viewpoint.

Other:作品証明書 / Certificate of Authenticity
ユニークピース / Unique Piece

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田中良太 / Ryota Tanaka

1983年埼玉県生まれ、東京都在住。
田中良太は、2008年多摩美術大学美術学部絵画学科油画専攻を卒業後、個展およびグループ展での作品発表のほか、2011年からは栗原一成、小林丈人とともにアートコレクティブ・オルタナティブスペース『ゲルオルタナ』を運営するなど、活発な活動を展開してきました。2010年から2014年頃にかけた「画面分割」の時代を経て、近年ではキャンバスの四隅を取り囲む余白が、田中の作品の大きな特徴のひとつとなっています。余白は、「描かれたもの」と「キャンバスやその他すべて」との区分を明らかにする意図がある、と作家は言います。量子力学や素粒子といったテーマに関心を抱く田中の作品は、描かれたイメージが別空間の絵画世界であると同時に、キャンバスという支持体であり、絵具であり、また後ろの壁面と同じ現実でもあることを示唆する装置のような性質を帯びているとも言えるでしょう。

2018年 シェル美術賞2018島敦彦審査員賞受賞
2021年 FACE2021入選
2021年 第三回公募富山県アートハウスおやべ現代造形展入選

Ryota Tanaka
Born in 1983 in Saitama, lives and works in Tokyo.

Ryota Tanaka, expanding his artistic activities through frequently organized solo and group exhibition, now runs also a long-termed project, “Geruorutana”, artist collective alternative space, as one of three artist founders from 2011. Through a period “split screen” called by himself that was from 2010 to 2014, his work became characterized by its blank contouring the four corners of canvas. According to the artist, he leaves blank in order the painting to distinguish the boundary between imaginary and all others. Having interest into a quantum mechanics and particles, his painting assumes the character of a device to suggest that depicted image is a painted world but also can be identified as a canvas, pigments and even the background.

In 2018, he won the Atsuhiko Shima judge prize, Shell Art Award. In 2021, he was selected for FACE 2021 Art Award, and for the 3rd Art House Oyabe Contemporary Plastic Art prize, Toyama Prefecture.
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田中良太の詳細プロフィールもぜひご覧ください。

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